bornemania.com - The Slides : Classical Greece

  Main...
    
Civ. Main
     Timeline
     Search

  Art Index by...
     Artist
     Genre
     Period
     Title

  The Sound of Music
    
Composer
     Title
     Unit

  The Class...
    
Syllabi
     Key Terms
     Sup. Readings
     Message Board
     Panic Chat
    
Projects and More

Contact
     Design by Erik
     Mr. Borneman
     Webmaster Clay

 


Ancient Babylon II - Chaldean Babylonia

"The most renowned of the Neo-Babylonian kings [Chaldean-Babylonian] was Nebuchadnezzar II (604 - 562 B.C.), whose exploits the Biblical book of Daniel recounts.  Nebuchadnezzar restored Babylon to its rank as one of the great cities of antiquity. ... "

- Gardner's Art Through The Ages, 11th edition, Vol. I, p. 37

 



  Detail of the Ishtar Gate, made of glazed bricks, which served as an entrance to the city, leading to the Processional Way in Babylon, built on the orders of King Nebuchadnezzar II (605 - 562 B.C.).  The bull is the symbol of Adad, the Babylonian god of weather.

  

 A further detail of the Ishtar Gate, now reconstructed in the Berlin Museum of Western Antiquities.  The original bricks are those which show wear and are broken or cracked.  The "clean" looking bricks are modern replicas made with the same original techniques.  The dragon depicted represents the god Marduk, the patron god of the City of Babylon.

     "Nebuchadnezzar's Babylon was a mud-brick city, but dazzling blue-glazed bricks faced the most important monuments.  Some of the buildings, such as the Ishtar Gate, with its imposing arched opening flanked bytowers, featured glazed bricks with molded reliefs of animals, real and imaginary.  Glazed bricks had been used earlier but the surface of the bricks, even those with figures, was flat.  On the surfaces of the Ishtar Gate, laboriously reassembled in Berlin, are the alternating profile figures of the dragon of Marduk and the bull of Adad.  Lining the processional way leading up to the gate were the reliefs of Ishtar's sacred lion, glazed in yellow, brown, [white], and red against a blue ground.  The Babylonian glazes were opaque and hard.  Each brick had to be molded and glazed separately, then set in the proper sequence on the wall."

- Gardner's Art Through The Ages, 11th edition, Vol. I, pp. 37-38