bornemania.com - The Slides : Cezanne

 

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Cezanne, Paul (1839-1906)

Considered by many to be the father of modern art, Paul Cezanne was the first to use planar compositional structure in his paintings, which was later developed into the cubist style by those whom he influenced. Matisse, Picasso, and Braque are among those who were strongly influenced by Cezanne's revolutionary styles. A classic example of an artist who wasn't appreciated during his time, Cezanne was continuously criticized by even his family, and not until near the very end of his life did Cezanne's accomplishments begin to be realized.

 



     "Mont Sainte-Victoire is one of the many views Cezanne painted of this mountain near his home in Aix-en-Provence.  In it he replaced the transitory visual effects of changing atmospheric conditions, effects that occupied Monet, with a more concentrated, lengthier analysis of the colors in large lighted spaces.  The main space stretches out behind and beyond the canvas plane and includes numerous small elements, such as roads, fields, houses, and the viaduct at the far right, each seen from a slightly different viewpoint. Above this shifting, receding perspective rises the largest mass of all, the mountain, with an effect  - achieved by equally stressing the background and foreground contours - of being simultaneously near and far away.  This portrayal approximates the actual experience a person observing such a view might have if apprehending the landscape forms piecemeal.  The relative proportions of objects would vary, rather than being fixed by a straight one- or two-point perspective, such as that found normally in a photograph.  Cezanne immobilized the shifting colors of Impressionism into an array of clearly defined planes that compose the objects and spaces in his scene."

- Gardner's Art Through The Ages, 11th edition, Vol. II, p. 923

Mont Sainte-Victoire

 

     "The basis of Cezanne's art was his unique way of studying nature in works such as Mont Sainte-Victoire.  His aim was not truth in appearance, especially not photographic truth, nor was it the "truth" of Impressionism but a lasting structure behind the formless and fleeting visual information the eye absorbs.  Instead of employing the Impressionists' random approach when he was face-to-face with nature, Cezanne attempted to intellectually order his presentation of the lines, planes, and colors that comprised nature.  He did so by constantly and painstakingly checking his painting against the part of the actual scene - he called it the 'motif' - he was studying at the moment."

- Gardner's Art Through The Ages, 11th edition, Vol. II, p. 922

Mont Sainte-Victoire (2)


 

And here is an actual photo image of Mt. Sainte-Victoire from Aix-en-Provence: